In the pipeline
Der Affe in deinem Kopf, for baritone saxophone and electronics
A Delicate Sustainable Response, for 4 performers
Es glitzert mich an, for bigband
Rückenwind, for voice, harpsichord, saxophone, bicycles, and electronics
Pieces with performers
A Delicate Sustainable Response (2025), for 4 performers, music box, toy pianos, melodica, recyclables, and mini-fans
Der Affe in deinem Kopf (2025), for baritone saxophone and electronics
Walks of Life (2025), pedagogic piece for three woodwinds
IT'S A MATCH (2025), opera installation / music theatre from Kerstin Steeb for two voices, cello, saxophone, and electronics
Wood Wild Web (2025), for seven players (flute, clarinet, tuba, guitar, piano, violin, cello)
Feuerwerk/Vuurstorm (2025), for two saxophones (soprano saxophone and alto saxophone)
Vuurwerk/Feuersturm (2024), for soprano saxophone and electronics
Snapshots of Guernica (2024), for guitar, accordion, and optional electronics
Noise Maps (2024), for a group of cyclists of undetermined size
People Pleaser (2024), for saxophone, launch controller, and electronics
In Medias Res (2023), for harpsichord, violin, saxophone, and live electronics
Flämischer Akkordeonstau (2023), for accordion, guitar, and live electronics
Settings (2023), for saxophones, gitanjo, objects and electronics; in collaboration with Adam Eriksson
The machine doesn't want to take my money (2022), for grand piano and financial resources
Noble Legends (2022), graphic score for four instrumentalists
The second time will be different (2021), for tenor saxophone and metronome
Putzzwang (2021), for window cleaner and live electronics
FMO_INTER (2020), for quadraphonic speaker set-up, audience phones, and YouTube Live Stream
FMO_1 (2020), for four players and TikTok content
Fashionista's (2019), for prepared electrical guitar quartet using knitting materials
Intimate Space Study 1a (2019), for one instrumentalist and quadrophonic tape
DU-O (2019), for two kissers, two instrumentalists, and one spotlight
Installations
IT'S A MATCH (2025), opera installation / music theatre from Kerstin Steeb for two voices, cello, saxophone, and electronics
Das Musikschulor[KI]ster (2024), interactive installation about/with AI
recycle (2024), audio installation in the Goethe VRsum
||: Focus | Distraction :|| (2022), interactive installation for a distracted visitor, an eye motion tracker and tourist pictures
Inneres Insektenballett (2022), video installation for 6 speakers, 3 screens and 11 robotic insects
Ü-Musik (2022), quadraphonic speaker installation, a sonic ode to the U-Bahn multiverse
Überfluss (2022), quadraphonic speaker installation
Aus Stille wird Klang (2021), window installation in collaboration with Rachel C. Walker and Kelsey Cotton
Audiovisual works
Inneres Insektenballett (2022), video installation for 6 speakers, 3 screens and 11 robotic insects
SHADOWS ARE ONLY TWO-DIMENSIONAL (2021), audiovisual composition inspired by acoustic shadows
Celebraler Kurzschluss (2021), 'minimalist' audiovisual composition
Web-based works
recycle (2024), audio installation in the Goethe VRsum
The practice session (2023), audio miniature for h a l f f l o o r
Data, please! (2021), interactive, browser-based installation; in collaboration with Steffen Reichelt
MIRЯOR VIEW (2020), interactive browser-based composition about social media profiling and FoMO
Other
Sieben Fantasien für Lesende (2023), graphic scores for readers
Der Schwarzwald wartet (2022), audio play in collaboration with Felix Mayer