Rückenwind (2026), a chamber opera about the beauty of cycling, for voice, harpsichord, saxophone, bicycles, and electronics

A Delicate Sustainable Response (2025), for 4 performers, music box, toy pianos, melodica, recyclables, and mini-fans

Der Affe in deinem Kopf (2025), for baritone saxophone and electronics

Walks of Life (2025), pedagogic piece for three woodwinds

IT'S A MATCH (2025), opera installation / music theatre from Kerstin Steeb for two voices, cello, saxophone, and electronics

Wood Wild Web (2025), for seven players (flute, clarinet, tuba, guitar, piano, violin, cello)

Feuerwerk/Vuurstorm (2025), for two saxophones (soprano saxophone and alto saxophone)​​

Vuurwerk/Feuersturm (2024), for soprano saxophone and electronics​​​

Snapshots of Guernica (2024), for guitar, accordion, and optional electronics​​

Noise Maps (2024), for a group of cyclists of undetermined size​​

People Pleaser (2024), for saxophone, launch controller, and electronics​​

In Medias Res (2023), for harpsichord, violin, saxophone, and live electronics​​

Flämischer Akkordeonstau (2023), for accordion, guitar, and live electronics

Settings (2023), for saxophones, gitanjo, objects and electronics; in collaboration with Adam Eriksson​​​

The machine doesn't want to take my money (2022), for grand piano and financial resources​​​

Noble Legends (2022), graphic score for four instrumentalists​​​

The second time will be different (2021), for tenor saxophone and metronome​​​

Putzzwang (2021), for window cleaner and live electronics​

FMO_INTER (2020), for quadraphonic speaker set-up, audience phones, and YouTube Live Stream​​​​

FMO_1 (2020), for four players and TikTok content​​​

Fashionista's (2019), for prepared electrical guitar quartet using knitting materials​​​

Intimate Space Study 1a (2019), for one instrumentalist and quadrophonic tape​​

DU-O (2019), for two kissers, two instrumentalists, and one spotlight